Credit: Robert Romik

This week, Norwegian violinist Henning Kraggerud takes his acclaimed arrangement for strings of J S Bach’s Goldberg Variations to Ireland for performances with the Irish Chamber Orchestra, to whom he is no stranger. Play/direct performances across Ireland on 7th, 8th, and 9th March also include talks by Henning as he unlocks this intricate and endlessly…Read more ›

Anthony Marwood is in Australia and New Zealand for a month, working with Sydney Conservatorium, the Australian National Academy of Music, Melbourne Recital Centre (a recital with pianist Stefan Cassomenos) and on the jury of the Michael Hill International Violin Competition in Queenstown and Auckland, New Zealand. Andrew Litton heads to Adelaide this week for a Rachmaninoff…Read more ›

Credit: Nikolaj Lund

At Hobart’s Federation Concert Hall this week, Henning Kraggerud’s composition Romantarctica for solo violin, clarinet and orchestra will receive its Australian premiere with the Tasmanian Symphony Orchestra, one of the co-commissioners of the work, together with the orchestra’s Principal Clarinet Andrew Seymour, and the composer as violin soloist and director. Romantarctica brings together two ports…Read more ›

Credit: Kaupo Kikkas

In Canada, Henning Kraggerud returns to the Vancouver Symphony Orchestra this week, play/directing the orchestra in three concerts featuring Amy Beach’s Romance for harp, violin and strings and Mozart’s Symphony No. 29. He also takes the lead in Grieg’s Violin Sonata No. 3 in c minor, arranged for violin and chamber orchestra by Henning himself…Read more ›

Credit: Tomaszewicz

Henning Kraggerud returns to Liverpool Philharmonic Hall for a performance of Tchaikovsky’s Violin Concerto with the Royal Liverpool Philharmonic Orchestra and Finnish conductor Emilia Hoving. Continuing his close relationship with the Royal Northern College of Music, he travels on to Manchester to work with its students in a violin masterclass. For further information about his…Read more ›